Tortoise's almost entirely instrumental music defies easy categorization. The group gained significant attention from their early career. The members have roots in Chicago's fertile music scene, playing in various indie rock and punk groups. Formed in 1990, Tortoise was among the first American indie rock bands to incorporate styles closer to krautrock, dub, minimalism, electronica and various jazz styles, rather than the standard rock and roll and punk that had dominated indie rock for years. ...show more

Tortoise's almost entirely instrumental music defies easy categorization. The group gained significant attention from their early career. The members have roots in Chicago's fertile music scene, playing in various indie rock and punk groups. Formed in 1990, Tortoise was among the first American indie rock bands to incorporate styles closer to krautrock, dub, minimalism, electronica and various jazz styles, rather than the standard rock and roll and punk that had dominated indie rock for years.

The group's origins lie in the late 1980's pairing of McCombs and Herndon, who imagined themselves as a freelance rhythm section (like reggae legends Sly And Robbie). That idea never saw fruition but in the summer of 2007 they formed the group Bumps and released a record with the same name on indie hip-hop label Stones Throw records, their interest in grooving rhythms and recording studio trickery led to McEntire and Brown (both formerly of Bastro) joining, followed by Bitney. Though songs are credited to all the musicans, McEntire quickly became, if not the acknowledged leader, then the group's guiding force, at least via media perception. In reality his extra contributions mainly took the form of being the recording engineer and mixer.

Their first single was issued in 1993, and their self-titled debut album followed a year later. Instrumental and mostly mid-tempo, Tortoise slowly garnered praise and attention, due in part to the unusual instrumentation (two bass guitars, three percussionists switching between drums, vibraphones and marimbas). A remix album followed, Rhythms, Resolutions and Clusters. Brown left and was replaced by Pajo (formerly of Slint, who plays mostly bass, but offers Tortoise's first recorded guitar, as well) for 1996's Millions Now Living Will Never Die, a breakthrough, both in quality and attention. ...show less