The Pretty Things are a 1960s and 1970s rock and roll band from London. They pioneered a raw approach to rhythm and blues (and later, psychedelia) that influenced a number of key bands of the 1960s British invasion, particularly The Rolling Stones, and David Bowie whose first hero was Phil May. Pretty Things was preceded by Little Boy Blue and the Blue Boys which consisted of Dick Taylor, fellow Sidcup Art College student Keith Richards and Mick Jagger. When Brian Jones joined Little Boy Blue and the Blues Boys as guitarist, Taylor was pushed from playing guitar to bass and the Rolling Stones were formed. ...show more

The Pretty Things are a 1960s and 1970s rock and roll band from London. They pioneered a raw approach to rhythm and blues (and later, psychedelia) that influenced a number of key bands of the 1960s British invasion, particularly The Rolling Stones, and David Bowie whose first hero was Phil May. Pretty Things was preceded by Little Boy Blue and the Blue Boys which consisted of Dick Taylor, fellow Sidcup Art College student Keith Richards and Mick Jagger. When Brian Jones joined Little Boy Blue and the Blues Boys as guitarist, Taylor was pushed from playing guitar to bass and the Rolling Stones were formed.

Several months later Dick Taylor (born Richard Clifford Taylor, 28 January 1943, in Dartford, Kent) quit the newly formed Rolling Stones to pursue his schooling when he was accepted at London Central School of Art, where he met up with Phil May (born Phillip Arthur Dennis Kattner, on 9 November 1944, in Dartford, Kent) and they formed Pretty Things. Taylor was once again playing his preferred guitar with May singing and playing harmonica. They recruited Brian Pendleton (born 13 April 1944 in Wolverhampton-died 16 May 2001 in Maidstone, Kent) on rhythm guitar; John Stax (born John Edward Lee Fullegar, 6 April 1944 in Crayford, Kent) on bass; and, after trying a couple of different drummers, including Pete Kitley and Viv Andrews, stuck with Viv Prince (born Vivian St John Prince, 9 August 1944, in Loughborough, Leices). Early career They caused a sensation in England, and their first three singles -- "Rosalyn" #41, "Don't Bring Me Down" #10, and the self-penned "Honey I Need" at #13 -- appeared in the UK singles chart in 1964-1965.

They never had a hit in the United States, but had considerable success in their native United Kingdom and in Australia, New Zealand, Germany, and the Netherlands in the middle of the decade. However, in the U.S. they, along with The Yardbirds and Van Morrison's Them, were a huge influence on hundreds of garage bands, including the MC5 and The Seeds. Their early material was hard-edged blues-rock influenced by Bo Diddley (they took their name from Diddley's 1955 song "Pretty Thing" in humorous contrast to their unkempt long-haired appearance) and Jimmy Reed, much like that of their contemporaries The Stones and The Yardbirds. ...show less