Psapp (pronounced sap) is an experimental electronica band from the United Kingdom. The band, a duo consisting of members Carim Clasmann and Galia Durant, are sometimes credited with inventing a musical style known as toytronica. Galia Durant's story began in a household running amok with records, art and books. Galia's mum collected protest songs while her dad is a professorial art historian with an encyclopaedic knowledge of Indian classical music. ...show more

Psapp (pronounced sap) is an experimental electronica band from the United Kingdom. The band, a duo consisting of members Carim Clasmann and Galia Durant, are sometimes credited with inventing a musical style known as toytronica. Galia Durant's story began in a household running amok with records, art and books. Galia's mum collected protest songs while her dad is a professorial art historian with an encyclopaedic knowledge of Indian classical music.

Galia "loved it all," finding no real distinction between Woody Guthrie peacenik anthems, sarangi etudes and her elder brother's acid jazz albums. After struggling to learn violin and piano (she preferred her 1988 vintage Casio SK-8 sampling keyboard, which the band still use), at 8, Galia graduated from a more-ideas-than-action 'band', "GO", formed with her brother. Carim Clasmann's musical youth was spent in German recording studios learning the alchemical business of faders, compressors and microphones. A self-professed failure at the school recorder and a frustrated guitarist, he dabbled in music-making while cutting demos for other people.

Quickly rising through the Cologne studio ranks, Carim learned his chops recording bands like Einstürzende Neubauten and Die Toten Hosen and even worked at Can's famous Inner Space studio, always dallying with music of his own on the side. He moved to London at the close of the '90s, working and then taking up residence at the King's Cross studio/house he and Psapp currently call home. Carim met Galia through mutual, musically-inclined friends who would often gather at the studio. For a year or so the duo experimented, united by an eclectic taste for Tom Waits, The Cure, Erik Satie, Duke Ellington and "anything that's silly and uses stupid noises." Their own 'silly noises' married to Galia's sultry vocals and perspicacious lyrics produced recordings of shimmering originality and nascent charm - an opinion shared by the handful of labels to which Psapp, as they'd by now christened themselves, sent demos toward the end of 2002. ...show less