The band Phideaux comprises many friends who have known each other since early childhood (Phideaux Xavier and Valerie Gracious were in nursery school together). They produce recordings of adventurous art rock music. They have eight albums, each unique in sound and content. Phideaux creates mysterious and melodic music for the sheer love of it, independently releasing recordings which have been complimented for capturing the essence of classic rock music while remaining modern and distinctive. ...show more

The band Phideaux comprises many friends who have known each other since early childhood (Phideaux Xavier and Valerie Gracious were in nursery school together). They produce recordings of adventurous art rock music. They have eight albums, each unique in sound and content. Phideaux creates mysterious and melodic music for the sheer love of it, independently releasing recordings which have been complimented for capturing the essence of classic rock music while remaining modern and distinctive.

A dark wave of progressive music for the post-punk generation, the mesmerizing and eclectic sound of Phideaux have been described as funny, serious, doomy, derivative, innovative, pretentious, goth-tinged space folk "prog" rock... They are inspired by mellotrons and flutes and keyboard heavy music but also love dual lead guitar and power chords. Syncopation and tricky time signatures are sometimes utilized but always there is melody to be hummed and riffs to invade your ears and mind. The lyrics tell stories, sometimes clearly, sometimes abstrusely, but always with an intent to spark an image or metaphor.

Summer Solstice 2009 brought us Number Seven, the seventh recording product of Phideaux. This album is a continuation of the long form compositions found on Doomsday Afternoon and Chupacabras. It represents another foray into progressive rock, with perhaps a good dollup of chamber jazz and classic rock. I think you will be surprised!. ...show less