Paradise Lost (formed in 1988 in Halifax, UK) began as one of the premier bands of the death doom metal genre (along with their former Peaceville labelmates Anathema and My Dying Bride) and pioneered the sound of early gothic metal. In the late 1990s they evolved to a more mainstream synth rock style, only to come full-circle back to their doom metal roots on recent releases. Ironically, the band is almost unknown in their home country, whereas in mainland Europe they have been extremely popular for many years, especially in Greece, Germany and Bulgaria, where they are regarded as mainstream rock stars. Although they are best known for pioneering gothic metal, throughout their career the band have also confounded fans and critics alike with their perpetual taste for reinvention and experimentation, a desire to work with producers from other musical genres, and an oft-stated refusal to repeat themselves for fear of stagnation. ...show more

Paradise Lost (formed in 1988 in Halifax, UK) began as one of the premier bands of the death doom metal genre (along with their former Peaceville labelmates Anathema and My Dying Bride) and pioneered the sound of early gothic metal. In the late 1990s they evolved to a more mainstream synth rock style, only to come full-circle back to their doom metal roots on recent releases. Ironically, the band is almost unknown in their home country, whereas in mainland Europe they have been extremely popular for many years, especially in Greece, Germany and Bulgaria, where they are regarded as mainstream rock stars. Although they are best known for pioneering gothic metal, throughout their career the band have also confounded fans and critics alike with their perpetual taste for reinvention and experimentation, a desire to work with producers from other musical genres, and an oft-stated refusal to repeat themselves for fear of stagnation.

For instance, vocalist Nick Holmes used a muddy sounding grunt-style of singing in the band's early duration - "Lost Paradise" (1990) and "Gothic" (1991); upon the release of "Shades Of God" (1992), "Icon" (1993) and "Draconian Times" (1995), he refined his voice to a cleaner tone almost akin to James Hetfield of Metallica; and on "One Second" (1997), which was distributed by hip hop label Jive Records, the band experimented with Depeche Mode-styled synthpop and electronica, a style they would develop even further on "Host" (1999). Despite criticism from traditionalists, this bold approach has also garnered them many new fans along the way, and cemented the loyalty of progressive "old-timers." Paradise Lost's line-up has remained remarkably consistent for such a long-standing band, consisting of singer Holmes, guitarists Greg Mackintosh and Aaron Aedy, and bassist Steve Edmonson. Holmes and Mackintosh are the principal composers, with almost all of the band's songs credited solely to them. Only the band's drumming position has changed, with original sticks man Matthew Archer leaving in 1994 to be replaced by ex-Marshall Law drummer Lee Morris.

In March 2004, Morris also left the band. Drummer Jeff Singer was brought in as a session and live drummer for the "Paradise Lost" album. Paradise Lost released their 11th album "In Requiem" which has a heavier guitar sound and a more aggressive vocal direction than their past records. Over The Madness, a documentary by Diran Noubar displaying the impact Paradise Lost has had on gothic metal, was released in 2007. ...show less