With its mix of seductive bossa nova grooves and winsome indie pop, Mosquitos' III will instantly enthrall fans of the group's self-titled 2002 debut and 2004's Sunshine Barato, while surely attracting lots of newcomers to the trio's sun-kissed sound. This time, the arrangements are more sophisticated and dreamily psychedelic, with lots of keyboards and synthesizer touches from programmer-producer Jon Marshall Smith. Gorgeous front-woman and Rio de Janeiro native Juju Stulbach offers the most beguiling vocal performances and emotionally revealing lyrics of her career. Along with original material co-written with guitarist-singer Chris Root, she reinvents Neil Young's "A Man Needs a Maid," from his classic Harvest, as a melancholy ballad sung in Portuguese. ...show more

With its mix of seductive bossa nova grooves and winsome indie pop, Mosquitos' III will instantly enthrall fans of the group's self-titled 2002 debut and 2004's Sunshine Barato, while surely attracting lots of newcomers to the trio's sun-kissed sound. This time, the arrangements are more sophisticated and dreamily psychedelic, with lots of keyboards and synthesizer touches from programmer-producer Jon Marshall Smith. Gorgeous front-woman and Rio de Janeiro native Juju Stulbach offers the most beguiling vocal performances and emotionally revealing lyrics of her career. Along with original material co-written with guitarist-singer Chris Root, she reinvents Neil Young's "A Man Needs a Maid," from his classic Harvest, as a melancholy ballad sung in Portuguese.

Like most of III, that ingenious choice of cover is suffused with what the Brazilians call saudade, a word that defies literal translation but signifies a bittersweet sense of longing. Saudade gives even the breeziest bossa nova melodies a tinge of melancholy and makes them all the more entrancing. All of the tracks here have smart, sing-along arrangements that will draw you in and undercurrents of wistful feeling that will keep you listening raptly for a long time to come. III, you will discover, is also an engrossing soundtrack to a very real story.

In the fall of 2005, after touring North America with their live band-mates, bassist Mikey Onufrak and drummer Mark Robohm, Juju and Chris decided to escape the approaching New York City winter to spend quality time in the places that had inspired their music. Keyboardist Jon, in demand as an engineer-mixer, stayed behind at his studio. The group had already cut almost an album's worth of tunes, but felt they weren't ready to release anything yet. First stop was the Pacific coast of Oaxaca, Mexico. ...show less