Josh Pyke (born 18 December 1977 in Sydney, Australia) is an Australian singer-songwriting musician. His albums include Memories & Dust (2007), Chimney's Afire (2008), Only Sparrows (2011). It didn't take long before Josh's unique voice and song writing style, influenced by the likes of Elliott Smith, Evan Dando, and Sparklehorse, began to find favour amongst music tastemakers, critics and Triple J listeners. The first taste, the assured 'Kids Don't Sell Their Hopes So Fast', found high rotation on Triple J and soon 'Silver' and the gently sweeping 'Doldrums' followed to similar praise and airplay. ...show more

Josh Pyke (born 18 December 1977 in Sydney, Australia) is an Australian singer-songwriting musician. His albums include Memories & Dust (2007), Chimney's Afire (2008), Only Sparrows (2011). It didn't take long before Josh's unique voice and song writing style, influenced by the likes of Elliott Smith, Evan Dando, and Sparklehorse, began to find favour amongst music tastemakers, critics and Triple J listeners. The first taste, the assured 'Kids Don't Sell Their Hopes So Fast', found high rotation on Triple J and soon 'Silver' and the gently sweeping 'Doldrums' followed to similar praise and airplay.

These tracks are now available on the CD 'Recordings 2003-2005' through The Million records. Josh signed to Ivy League Records in 2005 and shortly afterwards travelled to New York for some further writing, performing and demoing and upon return set about recording what was his debut release under his own name, a mini album entitled "Feeding The Wolves". "Feeding the Wolves" signified a great deal more than a change in name: It revealed a huge step in the development of Josh as an artist and songwriter. The subject matter was as broad as titles like "Beg Your Pardon", "Private Education", "Middle Of The Hill" and "Goldmines" suggest, however it's Josh's lyrics that draw this collection of songs together into a complete package.

He cleverly dissects human emotion and feelings and shows them for what they are: complex, abstract, fascinating. There is hope in the opening track 'Beg Your Pardon' and in 'Fill You In' there is emptiness and longing. The first single, 'Middle Of The Hill', is a near-stream of consciousness of a suburban childhood - family affection coloured by those sometimes darker, sometimes trivial details that for some reason stay with you. 'Goldmines' a vision of a land, or maybe a talent, stripped of its riches - but here and there a flash of colour survives. ...show less