Richard Gavin Bryars (born 1943) is an English composer and double bassist. He has been active in (or has produced works in) many varied styles of music, including jazz, free improvisation, minimalism experimental music, avant-garde, neoclassicism, and ambient. Born in Goole, East Riding of Yorkshire, England, Bryars initially studied philosophy at Sheffield University before studying music for three years. The first musical work for which is he remembered was his role as bassist in the trio Joseph Holbrooke, alongside guitarist Derek Bailey and drummer Tony Oxley. ...show more

Richard Gavin Bryars (born 1943) is an English composer and double bassist. He has been active in (or has produced works in) many varied styles of music, including jazz, free improvisation, minimalism experimental music, avant-garde, neoclassicism, and ambient. Born in Goole, East Riding of Yorkshire, England, Bryars initially studied philosophy at Sheffield University before studying music for three years. The first musical work for which is he remembered was his role as bassist in the trio Joseph Holbrooke, alongside guitarist Derek Bailey and drummer Tony Oxley.

The trio began by playing relatively traditional jazz before moving into free improvisation. However, Bryars became dissatisfied with this when he saw a young bassist (later revealed to be Johnny Dyani) play in a manner which seemed to him to be artificial, and he became interested in composition instead. Bryars's first works as a composer owe much to the so-called New York School of John Cage (with whom he briefly studied), Morton Feldman, Earle Brown and minimalism. His first known work as a composer, The Sinking of the Titanic (1969), is quite an indeterministic work which allows the performers to take a number of sound sources related to the sinking of the RMS Titanic and make them into a piece of music.

The 1994 recording of this piece was made famous to a whole new audience via its promo single featuring the Aphex Twin remix "Raising the Titanic" (later collected on his 26 Mixes for Cash album). A well known early work is Jesus' Blood Never Failed Me Yet (1971), which has as its basis a recorded loop of a tramp improvising a hymn of that name. On top of that loop, rich harmonies played by a live ensemble are built, always increasing in density, before the whole thing gradually fades out. A new recording of this work was made in the 1990s with Tom Waits singing along with the original recording of the tramp during the final section. ...show less