Fear Before the March of Flames (now known as Fear Before) is an experimental/rock band that formed in Aurora, Colorado in 2002. Their initial sound carried out on their first two records was closer to a melding of screamo, hardcore, and metalcore, drawing influence from the likes of Converge, The Blood Brothers, and Botch. Some even considered them during this time period to be mathcore because of their technical riffs and song structure. They released their debut album, Odd How People Shake, in 2003 on Rise Records, and after gaining some notoriety, were signed to EQUAL VISION RECORDS, who re-released their debut in the January 2004. ...show more

Fear Before the March of Flames (now known as Fear Before) is an experimental/rock band that formed in Aurora, Colorado in 2002. Their initial sound carried out on their first two records was closer to a melding of screamo, hardcore, and metalcore, drawing influence from the likes of Converge, The Blood Brothers, and Botch. Some even considered them during this time period to be mathcore because of their technical riffs and song structure. They released their debut album, Odd How People Shake, in 2003 on Rise Records, and after gaining some notoriety, were signed to EQUAL VISION RECORDS, who re-released their debut in the January 2004.

Their debut was primarily in the vein of post-hardcore, featuring a mix of screamed vocals on the part of David Marion and clean singing provided by Adam Fisher. The instrumental work on Odd How People Shake is best described as typical of that of most melodic metalcore artists of the day, and it is rumoured that every song on the album is based on a movie ("Sarah Goldfarb, Where are Your Manners?", for example, is supposedly about Requiem for a Dream, while on their sophomore album, Art Damage, "The Story of the Curious Oysters" has more to do with the Disney movie, Alice in Wonderland). It is interesting and worth noting that the band's cover art on all three of their albums feature skyscrapers. Their sophomore album, Art Damage, was released on Equal Vision Records in September 2004, and was a marked change in direction for the band.

Art Damage as an album was much heavier and darker than their debut; the band left behind the relative simplicity and, arguably, tiredness of the instrumental work of their debut in favor of the abrasiveness characterizing bands such as Converge and Every Time I Die. In addition, virtually all of the vocals are screamed, with the exception of an odd chorus or verse. The critical consensus seems to favor their new direction, and in concert, the band plays few if any songs from their debut. On their website, they explicitly state that they will not play one song in particular from their debut, "On the Brightside, She Could Choke;" interestingly enough, this song also has the most prominent elements of emo of all the songs in their catalogue, which could be one of the reasons they have grown so adverse to playing it. ...show less