Clancy Eccles (1940-2005) was a Jamaican reggae singer, promoter and record producer. Son of a tailor and builder, Clancy Eccles spent his childhood in the countryside of the parish of Saint Mary, where he used to attend regularly church cult and became soon influenced by spiritual singing. In his late teens, he moved to Ocho Rios where he made his first musical steps, performing at night in various shows, with artists like The Blues Busters, Higgs & Wilson or Buster Brown. He moved to Kingston in 1959 where he started his musical career as a singer. ...show more

Clancy Eccles (1940-2005) was a Jamaican reggae singer, promoter and record producer. Son of a tailor and builder, Clancy Eccles spent his childhood in the countryside of the parish of Saint Mary, where he used to attend regularly church cult and became soon influenced by spiritual singing. In his late teens, he moved to Ocho Rios where he made his first musical steps, performing at night in various shows, with artists like The Blues Busters, Higgs & Wilson or Buster Brown. He moved to Kingston in 1959 where he started his musical career as a singer.

He first recorded for Coxsone Dodd, who noticed him at a talent show, and had a Jamaican hit in 1961 with the early-ska tune "Freedom" recorded actually in 1959 but a sound system favorite since then. Talking about the repatriation to Africa, an idea developed by the growing rastafari movement, "Freedom" was one of the first Jamaican songs with socially oriented lyrics. Curiously, it also became the first Jamaican hit to be used on political purposes with Alexander Bustamante, founder of the Jamaican Labour Party and at this time Chief Minister of Jamaica adopting it for his fight against the Federation of the West Indies in 1960. In the years after, Eccles had other successful songs, mixing boogie/R&B influences with emerging ska rhythm, like "River Jordan" or "Glory Hallelujah".

In 1962, he started promoting concerts and set up his "Christmas Morning" talent show in association with Coxsone at the beginning, then on his own. He organized shows for The Clarendonians in 1963 and in 1964-1965 for The Wailers in different locations. He launched other talent search contests with "Battle of the Stars", "Clancy Eccles Revue", "Independent Revue" or "Reggae Soul Revue", from where emerged such stars like Barrington Levy or Culture... From 1963 he recorded with different producers like Charlie Moo, Leslie Kong's business partner, or the husband of Sonia Pottinger, Lyndon, but couldn't make a living of his music and so decided to quit in 1965 for working as a tailor in Annotto Bay. ...show less